Good Environment and Best performance. Historically, theater and film have been closely intertwined in many respects. Indeed, theatrical genres and aesthetics have had a significant influence on film. Nineteenth-century theatrical genres such as melodrama and vaudeville had an impact on many popular Artist film genres, for example. Since the early years of cinema, collaborations between filmmakers and theater personnel show not only how two art forms have influenced each other, but also that the flows between theater and film are bidirectional. Directors, writers, actors, and personnel working across these two media demonstrate that much interconnection of stage and screen exists. D. W. Griffith was a stage actor and playwright before he became a movie director, and Sergei Eisenstein directed plays and designed scenery before he started making films. Many film stars, as early as Buster Keaton and as contemporary as Jackie Chan, were trained in popular theater forms and traditions and have incorporated such techniques into their screen performance. From early modern drama to the musical theater of the 20th century, stage plays have frequently been realized on film. Less often, films have been adapted to create pieces of theater. Meanwhile, film had a profound effect on 20th-century theater. Early in the 20th century, theater directors and playwrights integrated film and visual images in theater. For most of the 20th century, theater practitioners and theorists felt pressured by the growing popularity of film among the general public. As a result, amid the anxiety regarding film, the relationship between theater and film is largely viewed as antagonistic. Scholars and critics argue that film’s close affinity with theater impedes film from becoming a unique art form. Therefore, advocating film’s autonomy from theater can become a passionate concern. Today, in a technology-driven world, cinema and media greatly influence directors, writers, actors, artists, practitioners, audiences, and critics alike. In addition, the perpetuation of the theater and film dichotomy obstructs the reciprocal exchange and mobility between cinematic and dramatic means of expressions. Indeed, many discussions have focused on interdisciplinarity, because artistic practices can be intermedial, intercultural, and international. Finally, the topics of acting, film adaptation of Shakespeare, and musicals are excluded from annotation here, as they have already received a fair amount of scholarly attention by other contributors to Oxford Bibliographies. These topics are listed under the Bibliographies section in this article, for readers’ reference.

I dont know

Best place for theater and live performances ..

Good

OK, but not a best place to watch stage performance

Not a good place for educated people

Nice atmosphere, active staff, good place of entertainment.

Very bad experience

Good point for enjoy

Theatre in a backward area

Good

Good

Very bad experience

Food

Nice